DANIEL BAUER
Born 1969, New York, NY
Lives and works in New York & Israel
EDUCATION
2006 Masters of Fine Art, Columbia University, New York
1998 Bachelor of Art in Photography, The Bezalel Academy of Art and Design, Jerusalem, IL
PROFESSIONAL EXPERIENCE
2013 Visiting Assistant Professor of Art+Design, SUNY Purchase
2012 Faculty Advisor to Parlor Room, SAIC Photography Department Visiting Artist Program (Since 2010)
2010 Member of the Strategic Planning Committee, The School of the Art Institute of Chicago.
2008 Assistant Professor, Photography Department, School of the Art Institute of Chicago
Lecturer, Photography Department, The Bezalel Academy of Art and Design, Jerusalem
2006 Instructor, School of Arts, Columbia University, New York
Departmental Research Assistant, Columbia University School of the Arts,Visual Arts Division, New York (Since 2005)
Teaching Assistant, Columbia University School of the Arts, Visual Arts Division, New York (Since 2004)
2004 Lecturer, Photography Department, The Bezalel Academy of Art and Design, Jerusalem (Since 2001)
2000 Editor of Photography and Research Assistant, The Israeli Project: Building and Architecture 1948-1973, Tel Aviv Museum, Tel Aviv (Since 1999)
SOLO EXHIBITIONS
2016 Where’s the Door, Anderson Ranch Arts Center, Chicago
2013 Domestica Dentata, Alderman Exhibitions, Chicago
2010 Νεφελοκοκκυγία CloudCuCkooLand, Andrea Meislin Gallery, New York
2008 The Combination of Limits, Andrea Meislin Gallery, New York
2005 Only Background and Sky, Museum of Art Ein Harod, Israel
2001 New Works, Bezalel Academy of Art and Design, Art Department Gallery
1999 Gains/Losses, Art Focus, International Biennale of Contemporary Art, Jerusalem
GROUP EXHIBITIONS
2018 The Suburban, Got a Light?, Milwaukee.
Loushy Art and Editions, No More Reality, curated by Mark Scheps, Tel Aviv.
2015 PARTY BEUYS, Andrea Meislin Gallery, New York
Faculty Exhibition, SUNY Purchase, New York
2014 Zwischen Raum Zeit, The Pitch Project, Milwaukee
2013 DAS music video for Ronnie Bass and Gandalf Gavan
2012 Opening the Black Box, Sullivan Galleries, SAIC, Chicago
The Poetics and Politics of the Eruv, Institute of Sacred Music, Yale University
Summer Solstice, Andrea Meislin Gallery. New York
The City Show, Center for Contemporary Art, Tel Aviv
Alderman Exhibitions, Chicago, Randolph Street Inaugural Exhibition
Domestica Dentata; at Box 13, part of Houston FotoFest
2011 The Object of Zionism, Architektur und Staat Israel 1948–73. S AM - Swiss Architecture Museum
2009 Heimatcontainer, German Prefabricated Houses in Israel, Schlemmer Masters' House, Dessau
2008 The Object Quality of the Problem, The Henry Moore Institute, Leeds
Home Delivery: Fabricating the Modern Dwelling, MOMA, New York
A Matter of Time, Andrea Meislin Gallery, New York, NY
@60.art.israel.world, Judah L. Magnes Museum, Berkeley, CA
2007 Current Visions Inside of Israel II, Andrea Meislin Gallery, New York
2006 Columbia MFA Thesis Show
2005 Camera Sacra: Capturing the Soul of Nature, The Israel Museum, Jerusalem
Contemporary Art from Israel, Tokyo Wonder Site, Tokyo
2004 The Frontiers of Utopia and Other Facts on the Ground, Malmo Konsthall, Sweden
Summer Photography Show, Andrea Meislin Gallery, New York
It Could Have Been Seen, Um-el-Fah’hem Gallery
Current Visions Inside of Israel, Andrea Meislin Gallery, New York
2003 Territories: Islands Camps and Other States of Utopia, Witte de With, Rotterdam and
Kunst Werke, Berlin
Metamorphosis, The Israel Museum, Jerusalem
The Promise the Land, OK Center, Linz
Civilian Occupation, Storefront for Art and Architecture, New York
2002 BORDERLINEDISORDER, Israel Pavilion, Venice Biennale of Architecture
The Israeli Project: Building and Architecture 1948-1973, Tel Aviv Museum
2000 Republica della Arte: Contemporary Art from Israel, Palazzo della Pappesse, Center for Contemporary Art, Siena, Italy
1998 Six Photography Schools, Six Graduates, Midrasha Art Academy Gallery
COMMISSIONS
2017 Photography for Irena Haiduk Yugoexport in Documenta 14, Kassel and Athens
2010 Photography of Mirror Piece I Reconfigured, Joan Jonas at The Guggenheim Museum
2008 - 2010 Israel Museum Jerusalem Master Plan and Renovation for Efrat-Kowalsky Architects
2005 Photography of The Shape, the Scent, the Feel of Things for Joan Jonas. DIA Beacon
1999 - 2000 Editor of Photography and Research Assistant, The Israeli Project: Building and
Architecture 1948-1973, Tel Aviv Museum, Tel Aviv.
CURATORIAL
2018 Co-Founder EastRiverPainters, Artist Run Space. Long Island City, New York
2015 PARTY BEUYS or what comes after farce, Andrea Meislin Gallery, New York
2011 Second City Psychasthenia, Andrea Meislin Gallery, New York
AWARDS
2003 The Gerard Levy Prize for a Young Photographer, The Israel Museum
SELECTED BIBLIOGRAPHY
2017 Ruins from the Present: The History of Pillboxes in the 20th Century by Gish Amit, Pardes.
2014 Perspectives, “The Land Issue,” The Magazine of the Association for Jewish Studies
2013 ArtSlant, Alicia Chester, “Domestica Dentata: A Tyranny of Details”
2012 New Yorker, Vince Aletti, Review for Second City Psychasthenia in Goings on About Town.
2011 Michael Wilson, Artforum, Exhibition Review, January 2011
“The Poetics of the Eruv” Images: Journal of Jewish Art and Culture, ed. by Margeret Olin, Volume 5, Number 1, Brill.
“What’s In A Name? . . . What’s In A Department? . . . What’s A Department In? . . .” School of the Art Institute of Chicago Photography Department, Catalogue Essay.
2010 “The Buzz,” The Jewish Week, November 19, 2010
2009 “The Power of Inclusive Exclusion: Anatomy of Israeli Rule in the Occupied Palestinian Territories” Adi Ophir (Editor), Zone Books
2008 Audrey Luk, Art Asia Pacific, Exhibition Review. July/August 2008
Jerry Saltz, “Critics’ Pick,” New York Magazine, April 23, 2008
Peggy Roalf, “Daniel Bauer: Landscape of Memory,” Design Arts Daily, March 21, 2008
“Home Delivery; Fabricating the Modern Dwelling,” Catalogue, Museum of Modern Art, New York
2007 Eyal Weizman, “Hollow Land,” Verso, New York, NY
“Landscapes Abused,” Institute Fur Landschaftsarchitektur ILA, ETH Zurich, Switzerland
2006 Philip Misselwitz, Tim Rieniets, “City of Collision,” Birkhäuser, Basel
Nicolai Ouroussoff, “A Line in the Sand,” The New York Times
2004 “Reliquae,” Studio Art Magazine, Tel Aviv, Israel
“Spaces of Collision,” Grenzgeografien, Berlin
“The Lay of the Land,” Metropolis Magazine
“Kav Ha’meorer,” Journal of Poetry, Literature and the Arts, Dvir Publishing, Tel Aviv, Israel
“Cities Without Citizens,” Slought Books and the Rosenbach Museum & Library, Philadelphia, PA
“Mute,” The Politics of Verticality, Issue 27, London
2003 “A Civilian Occupation: The Politics of Israeli Architecture,” (Bavel, Vesro) London
“Territories: Islands, Camps and Other States of Utopia,” Kunst Werke, Berlin
Frieze Magazine. issue 81. London.
2002 “A Civilian Occupation,” The Politics of Israeli Architecture, Tel Aviv, Israel
2001 “75% Mattress,” Project with Loushy Art & Editions, Israel
2000 “Alpayim,” The Courtyard, Big and Small, Vol. 20, Tel Aviv, Israel
1999 “Camera Obscura,” Supplement to Ha’eer: Campus of the Future at the Eisenberg Compound, Tel Aviv, Israel
Photographic Survey of Illegal Settlement Activity in the West Bank for Betzelem
1998 “Panoramas,” 4 Projects with Loushy Art & Editions, Israel (through 2001)
Photography for Studio Magazine, Architecture Section (through 2000)
COLLECTIONS
The Israel Museum, Jerusalem
The Shpilman Institute for Photography, Tel Aviv
Gary B. Sokol, San Francisco
The Zabludowicz Art Trust, London